“Chain
of Love”
Composers.
Claibe Richardson and Kenward Elmslie
Complete
original cast recording, 1971
Composers:
Claibe Richardson and Kenward Elmslie
Performers:
Cast and Barbara Cook
Stolen
songs from the last performance of the musical, 1971
Composers:
Claibe Richardson and Kenward Elmslie
Performer:
Barbara Cook
Composers:
Claibe Richardson and Kenward Elmslie
Performer:
Susan Watson, 1979
Composers:
Claibe Richardson and Kenward Elmslie
Performer:
Haley Jane
It’s totally
strange that the wonderful Broadway musical, The Glass Harp, performed at the Martin Beck Theater
of only 7 performances in 1971, should have become one of the most lost musicals
ever. It’s cast, after all, consisted of the remarkable Barbara Cook (after her
The Music Man, Candide and other
major Broadway performances), and included Carol Brice, Karen Morrow and
numerous others, was based on Truman Capote’s wonderful tale, which was later
made into a movie. The music by Claibe Richardson, a rather remarkable composer
who died in 2013, and the wonderful American poet and librettist, highly influenced
by his lover of several years, John La Touche, who produced several wonderful
songs such as “Dropsy Cure Weather” and the driving percussionist piece “Yellow
Drum.” In this case I’ve included the entire original Broadway cast recording
just to give a sense of the remarkable songs in this work.
The great stand-out, however, is “Chain of
Love,” which isn’t even titled that in the list of original songs in the current
listings. But anyone who has sung it, including Cook and Susan Watson has titled
it that in their wonderful appearances.
Of
course, Cook sings it best, but it has yet to be discovered by hundreds of
others who might turn its beautiful lyrics and music into something else. This
is a musical just waiting to be rediscovered. With lyrics that Elmslie wonderfully
created, how can you not fall in love with Dolly Talbo, even if she has never
herself discovered it for herself:
If
love is a chain of love
As
nature is a chain of love
With
link after link after link
Then
I’ve always been in love I think.
…..
Yet,
I’ve always been in love I guess.
The
sad after thoughts of “I think,” and “I guess” represent Dolly’s impossible
comprehension of what she has been missing, even though she truly realizes it
in simply the “links” of her relationships with other human beings. And her
final determination to take to the trees in protest for what has been denied
her, is so brilliantly expressed her new comprehension that love something more
that she has quite experienced, represents what this performance is all about.
Why the critics so abused this lovely, if slight, musical is incomprehensible. This
musical should be celebrated, not shunned and even less forgotten.
Los Angeles,
December 31, 2017
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